Early in the novel, Albert is lured into the clutches of bandits by a young woman who turns out to be a young male bandit in disguise.In the anime he becomes integral to the two main characters' relationship. Franz is a minor character in the novel who receives exposition in one short section of the story and serves as an easily overcome roadblock to the Official Couple.Arranged Marriage: Several plot points revolve around these, which are apparently common amongst futuristic aristocrats.Furthermore a lot of the nobles bought their titles. While the parent characters range from selfish to nasty to even outright evil the children who were born into the upper classes are at worst spoiled but good people. Animated Adaptation: Of one of the most seminal works in Western literature.All There in the Manual: Quite a bit of backstory (for example, everything between the Count's escape from the Chateau d'If to the first episode) is included only in the manga.All-Loving Hero: Albert becomes something of this, especially at the end where he forgives The Count for everything and uses the Power of Love to save the day.Stay away from creepy people who live on the moon."A life of simplicity and togetherness is better than a superficial life of luxury and crippling loneliness.".Love and forgiveness will redeem your soul. Here, the Count is the villain and the story centers around Albert betraying the Count and then dealing with his own family matters. In the source material, Albert is a very minor character that the Count encounters during his quest for revenge. Adaptational Protagonist: The anime adapts the story of The Count of Monte Cristo largely from the perspective of Albert de Morcerf rather than the titular count.In the anime, both duels proceed, with additional action elements such as the duellists piloting giant mecha. Actionized Adaptation: The original book has very few action scenes, with two duels interrupted before they can begin.Accidental Public Confession: At Villefort's trial, Andrea Cavalcanti shows up, and angers Villefort into confessing that he had an illegitimate son with Danglars' wife and burying said son alive.It's used so much in this production that it is the non-CG stuff - e.g., the character's faces - that are conspicuous. 2D Visuals, 3D Effects: Most of the backgrounds are fantastically rendered in 3-D.See, also, The Vampire Count of Monte Cristo. (You'll know about five minutes in what kind of viewer you are.) Some viewers are awed by this aesthetic, while others are so put off by it that they stop watching the show. It also has a weird visual style with fantastically rendered CG backgrounds and characters with elaborate clothing patterns that remain stationary as the clothing and characters themselves move. Because it's based on a work of Western Literature, it has an unusual pace and plot for an anime, choosing to ignore many of the most common tropes that one tends to find in that medium. Gankutsuou is a 24-episode paraphrased Perspective Flip of Alexandre Dumas' famous novel, The Count of Monte Cristo, set far into the future (thus also sharing some similarities with Alfred Bester's The Stars My Destination) and viewed through an anime-and-LSD filter. But what is the Count's true reason for doing so? Is he, as he claims, a harmless wannabe nobleman who just wants to be introduced into High Society, or does he have a much darker purpose in mind? (The Count also appears to have some sort of mysterious connection to Albert's parents-as if he had somehow known them in the past, although neither of them can ever remember seeing the Count before.)Īs time passes, the Count insinuates himself further and further into Albert's life and into the lives of the people he knows. Said stranger is the self-made Count of Monte Cristo, a man with incredible riches, unusual powers, and an unnatural interest in our hero, Albert. A young French nobleman, Viscount Albert de Morcerf and his friend Baron Franz d'Epinay are partying hard on the moon colony of Luna, when a dark, ominous, blue-skinned stranger suddenly steps into their lives.
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